The Verb Presented by Ian McMillan 6o6l14

Recorded live at the sunny Latitude Festival Ian McMillan has gathered three top poets for The Adverb - The Verb's showcase of the best live poetry and readings. Dr John Cooper Clarke is a legend of the punk poetry scene and gets us into gear with a poem about the thrilling allure of the hire car. The best art can come out of limitations and Luke Wright shows his amazing lyrical dexterity with a poem entirely based on the assonance of the letter A. And TS Eliot prize winner Joelle Taylor spellbinds the crowd with an autobiographical poem about growing up as a butch lesbian, touching on her early life in Accrington. Along the way, the Barnsley Bard Ian McMillan offers us some of his own work, including a no-holds-barred anaylysis of the perils of drinks machines. Presented by Ian McMillan Produced by Kevin Core

Why does 'mean' have so many meanings? Why do poets take metaphor so seriously? Why do objects like pink ghetto blasters make poems live? And why are the filaments of our eyes in the edges of the snow? To answer these surreal, and not so surreal questions - Ian McMillan is ed by Alistair McGowan, Caroline Bird, and Toria Garbutt, and presents an 'eartoon' - a cartoon for the ear, from Richard Poynton (otherwise known as Stagedoor Johnny). Alistair McGowan is an impressionist, actor, writer, pianist, and now - poet. He s Ian McMillan in a pun-off - the first time such an event has ever been staged on national radio (probably). Alistair's collection of poems is called 'Not what we were expecting' (Flapjack Press). Toria Garbutt is a spoken word artist, poet and educator from Knottingley. She shares tender, funny poems from 'The Universe and Me' (Wrecking Ball Press) many of which take us into her relationship with her sister when they were young, and reveal how much poetry there is in the objects of childhood. Caroline Bird's new poetry collection is called 'Ambush at Still Lake' (Carcanet). She reads poems of motherhood which are like 'upside down jokes' and take 'toddler logic' (like the idea that imaginary carrots have completely run out) to surreal and sinister conclusions. Caroline also presents us with our neon line, a stand-out line from a classic poem, and explores why it works so well. It's this mystery poem which proposes that there are 'filaments of our eyes' in the 'edges of the snow'. Richard Poynton is a writer and performer (also known as Stagedoor Johnny). He stars in his own invention, a backstory for the origin of the English language, which explains why it has so many words with multiple meanings. In this week's Eartoon Richard introduces us to a 'mean' lasagne. (you won't want to meet it down a dark alley).

Crocodile-like men, fireflies, a soul hitching a ride on a bee, the coolness of Switzerland, anagrams, and a mysterious rhyming poem - all this and more from Ian McMillan's guests this week - as they explore the way a poetic image can change the way we see things, Arji Manuelpillai is a poet and creative facilitator. His poetry collection 'Improvised Explosive Device' (Penned in the Margins) emerged through research and interviews with academics, sociologists, and former of extremist groups and their families. He also presents a poetry podcast: 'Arji's Pickle Jar'. Mona Arshi is a poet, and was a human rights lawyer. Her poetry collections are 'Small Hands' and 'Dear Big Gods' (Pavilion), and she recently published her first novel 'Somebody Loves You'. Mona's third poetry collection will be published next year. John McAuliffe is a poet, and a director of the Centre for New Writing at the University of Manchester. He has published six poetry collections - and his latest - 'National Theatre' (Gallery) will be out shortly. John unravels our 'neon' line this week ( a stand-out line in a classic poem) and explains why it works so well. Tom Chatfield is a novelist, writer and tech philosopher - and now author of 'Wise Animals: How technology has made us what we are' (Picador). He helps us pit human poets against AI or more precisely - against Large Language Models - to see what human poets can still do best.

Frogs who love rain, the poem that came from a magpie, the poetry of the peleton, and the everyday language of dating apps. Ian McMillan's guests this week (Hollie McNish, Testament, Ira Lightman and Liz Berry) bring all of this to the studio table and much, much more. Hollie McNish's latest book is 'Lobster and other things I'm learning to love' - she shares a pluviophile poem that shows how much joy there can be in realistic love. Ira Lightman is an innovative poet and artist and this week, especially for The Verb, he turns the Salford studio into a poetry version of the Tour de - including a hot potato. Liz Berry's latest book is 'The Home Child' - she celebrates the poetry of Charlotte Mew, and reads a brand new poem inspired by a frightening but enchanting encounter with a magpie. Testament is a rapper, beatboxer, poet and playwright. His careful attention to the everyday language of people from different political positions, and to the language of dating apps informed his play 'Love in Gravitational Waves' - he shares some of the poetry that its characters write.

Ian McMillan is ed by poets and poetry lovers for this celebration of language recorded at this year's Hay Festival. The actor, Harry Potter star, Dickens virtuoso and national treasure Miriam Margolyes shares one of her favourite poems, the 19th century poet Robert Browning's 'My Last Duchess'. Miriam invites listeners to imagine the Duke, who is the speaker in the poem, as being like 'Hannibal Lecter' from 'The Silence of the Lambs' - a good planner, who has killed his wife. Irish novelist Kevin Barry has written three novels and four collections of short stories - a master of dialogue, and a beloved voice in the New Yorker magazine. He explores the poetry of the language in his most recent novel 'A Heart in Winter'. Gwenno has won awards and acclaim for her haunting and groundbreaking song-writing and performances. Gwenno's albums Le Kov and Tresor are in Cornish (she has a Welsh mother and a Cornish father). She s Ian to share her love of the Welsh artist and poet Edrica Huws, who achieved fame late in life as a visual artist. Her poem 'Vingt-et-un' has stayed with Gwenno, and she explains why Edrica is a creative inspiration. The poet Owen Sheers explores a poem with a stand-out line (what we call on The Verb the 'Neon Line'). This week the poem explored is 'The Lake Isle of Innisfree' by the Irish poet W.B. Yeats. Is it the 'bee-loud glade' that has caught Owen's attention, or something else? Ian finds out. Owen has an acute ear for language, with writing often inspired by his interviews with real people, for books like 'The Green Hollow'.

The appeal of 'the road less travelled by', Emily Brontë as self-help guru, a new way to look at Little Red Riding Hood and the 'little miracles' we might notice when we care for the elderly; Ian McMillan celebrates poems that explore all of these ideas with his guests, the poets Len Pennie, Malika Booker, Kate Fox, and Michael Symmons Roberts. Michael Symmons Roberts' poetry collections include 'Drysalter', 'Mancunia' and 'Ransom'. This week Michael explores Robert Frost's poem 'The Road not Taken' and sheds light on the strange power of the 'neon' line in the poem (a memorable line that takes the poem to another level) 'I took the road less travelled by'. Kate Fox is a stand up poet, spoken word artist and broadcaster, her latest poetry collection is 'Bigger on the Inside'. Kate has written a new poem for The Verb in which Emily Brontë advises us that most of our thoughts 'are nowt but hill fog' and that problems can be solved by 'a walk or a big dog', or 'a walk with a big dog'. Malika Booker is the only poet to have won The Forward Prize for best single poem twice - she reads one of those winning poems, 'The Little Miracles' for The Verb. Malika founded the groundbreaking poetry workshop 'Malika's Kitchen' with Roger Robinson. Her books include 'Pepper Seed' and her poetry can be found in the 'Penguin Modern Poets' series. Len Pennie's collection 'Poyums' is a best-seller, and explores domestic violence and misogyny with energy, wit and inventive rhyme, It's written in a mixture of Scots and English. Len has a huge following on social media, partly down to her celebration of a 'Scots word of the Day'. For The Verb, she reads a poem about telling the story of a relationship in your own words, and considers the influence of Robert Burns.

What's it like being awake at 4am? How do we feel about toads? Where does the word chortle come from, and when is an anthem truly personal? Ian McMillan gets to the heart of these questions through brand new poetry commissions, exploring the poems and poets we love, and through celebrating language's delights and quirks - all in the company of his guests: the poets Jackie Kay and Helen Mort, the actor Paterson Joseph, and the singer, songwriter and song 'treasurer' Sam Lee. Guests: Helen Mort's latest books are 'The Illustrated Woman' and 'A Line Above the Sky'. She shares a new commission called 'Corners' about the experience of being awake at 4am. Sam Lee s her for the performance. Jackie Kay is the former Scottish Makar - her new poetry collection is May Day. Jackie discusses a poem by the Scottish poet Norman MacCaig called 'Toad', and reads her own poem 'Cairn'. Sam Lee's new album is Songdreaming. Sam is an arranger, folksong interpreter, ionate conservationist, song collector and creator of live events. He performs 'Banna's Lonely Shore', a song that he heard the Irish Traveller Nan Connors perform, and which he has never heard anywhere else. Paterson Joseph is an award-winning writer and actor, known for his powerful Shakespearian performances as well as his comic roles in television series like 'Green Wing' and 'Peep Show'. Paterson performs Lewis Carroll's 'Jabberwocky'. His novel is called 'The Secret Diaries of Charles Ignatius Sancho'.

The Verb, which for the past 22 years has been bringing linguistic delights to the Radio 3 audience, will be leaving to make its new home on Radio 4. But in a mood of celebration Ian McMillan and his guests put the number 3 in the spotlight as they explore the magic and the power of three in poetry, storytelling and writing; with poet and memoirist Don Paterson to guide us around those poetic forms based on the number three, by long-time Verb favourite Ira Lightman with a brand new commission, storyteller and author Daniel Morden and The Bookshop Band who'll be performing songs inspired by books and by The Verb.

Ian McMillan is leaning into unease this week as he discusses writing and Claustrophobia. His guests are Holly Pester, whose new novel 'The Lodgers' examines the psychological disturbances of precarious housing situations; we meet a woman renting a flat that is more like a sandwich packet than a house, and another who must make her own life extremely small as she lodges with a family. Catherine Coldsteam’s new memoir is ‘Cloistered’, a book about the twelve years she spent in a Carmelite monastery where she lived the life of a silent contemplative nun. Hannah Sullivan won the T.S. Eliot award for her collection ‘Three Poems’. Her latest book ‘Was it For This’ considers a life shrunk small by new motherhood. The last in our series of Verb Dramas is Ghost In The Machine by Karen Featherstone Presenter: Ian McMillan Producer: Jessica Treen

On International Women's Day Ian McMillan is ed by poets Joelle Taylor, Rommi Smith, Kim Moore and Shirley May to explore how women poets are using poetry and writing to explore and challenge sexism and to empower women through words. There's also music from soul singer, Sarah-Jane Morris, and musician, Tony Remy, from their new album 'Sisterhood'. Rommi Smith reads a poem specially written for The Verb celebrating the colour purple; in 'The Night Alphabet', Joelle Taylor's first novel, one woman’s tattoos are each portals to a story of repression and women’s resistance, violence and justice; Kim Moore's poetry explores and exposes everyday sexism, gender, class and also performance as a female poet; Shirley May writes from the perspective of the Caribbean diaspora and reflects on stories of the women who came before her, and the young women poets finding their voices now.

Tenor saxophonist Sonny Rollins’ practise notebooks, pianist Stephen Hough’s of tackling Tchaikovsky’s First Piano Concerto, the voice of Fairport Convention’s Sandy Denny in the words of Scottish poet Don Paterson, and E. M. Forster’s evocation of Beethoven’s 5th Symphony in Howard’s End: just some of the texts we’ll hear on tonight’s celebration of writing about music. Ian’s ed by four Radio 3 presenters to discuss the challenges of all sorts of music writing, from concert reviews to programme notes, memoirs, poetry, fiction, and scripts for radio. His guests are Essential Classics Georgia Mann who pored over Oasis reviews in the N.M.E. in her teens, Hannah French from The Early Music Show who once read a biography of Pablo Casals in a day, Composer of the Week’s Kate Molleson who started out writing concert reviews at University in Montreal, and Corey Mwamba who presents Freeness and immersed himself in jazz books at Southampton library whilst doing his A-Levels. Producer: Ruth Thomson

The World in Words. The Verb, presented by Ian McMillan, revisits the Contains Strong Language which was held in Leeds in September of last year. It was a gathering of poets from all over the world and featured Felene Cayetano from Belize, Andre Bagoo from Trinidad and Tobago, Ngwatilo Mawiyoo from Kenya, Lebo Mashile from South Africa, Chris Tse, the Poet Laurete of New Zealand, Ramya Jirasinghe from Sri Lanka and Titilope Sonuga.

Ian McMillan presents Radio 3's cabaret of the word.

This edition of the verb is a celebration of the physical - everything from mountain climbing, human desire, a mother's touch or the act of writing. The poet Helen Mort writes in her head, while running, climbing and she even wrote one whilst in labour. She tells Ian about her new collection The Illustrated Woman - inspired by what she calls a "pain epiphany" while being tattooed - and how her poems "spookily" prefigure her life. The Norfolk born writer Jon Ransom wrote The Whale Tattoo, which won the Polari first book award, on his phone on the bus. His new novel The Gallopers opens in the aftermath of the 1953 North Sea flood where 19-year-old Eli yearns for Jimmy Smart, the handsome older fairground worker his aunt has taken in. And award-winning poet Victoria Kennefick has written on the back of her child's drawings and on shop receipts when an idea urgently strikes. She tells Ian McMillan about her collection Egg/Shell, inspired by a lockdown encounter with a swan whose eggs wouldn't hatch. Produced in Salford by Olive Clancy.

The Verb goes back to the brilliant Contains Strong Language Festival held in September last year in Leeds to consider the poetics of rap, rhyme and flows with a celebration of 50 years of hip hop. Rapper and playwright, and friend of The Verb, Testament led a discussion on one of the 20th and 21st century’s most powerful and influential literary movement with guests UK rapper Jehst, writer and spoken word performer Michelle Scally Clarke, and hip hop luminary Paul 'Oddball' Edmeade.

Ian McMillan presents a special extended interview with writer and novelist Tessa Hadley. Tessa Hadley's books are ired for the flowing, thoughtful intensity of her prose; and she is a master of capturing the humanity of domestic lives and the quietly devastating drama of the everyday. Hadley is a writer with a keen eye for the telling detail and a gift for bringing everything she has, sees and knows about life to the characters she creates. Her first novel was published when she was 46 and since then she has written short stories as well as novels. Producer: Cecile Wright

Ian McMillan presents a celebration of remarkable poets and poetry readings from one of the major events in the poetry calendar: the TS Eliot Prize Readings at the Royal Festival Hall in London. The prize is awarded annually by the TS Eliot Foundation for the best collection of the year. The winning book Self-Portrait as Othello by Jason Allen-Paisant also won the 2023 Forward Prize.

Ian McMillan is looking at, and listening to, the wonderfully different ways we use language with three poets: Daljit Nagra whose new collection Indiom celebrates language in more than forty different poetic forms; Nasser Hussain whose poems take us deep into individual words often creating patterns so that build something new, and Safiya Kamaria Kinshas; a poet, dancer and choreographer whose work weaves together dance and poetry on the page and stage. And we’ve also got one of our new Verb Audio Dramas made in collaboration with BBC Writers and the BBC Audio Drama North team: No Smoking In The Ground by Matthew Smith. Producer: Cecile Wright

Ian McMillan ho ho hosts a special Christmas edition of The Verb from the Trades Club in Hebden Bridge, recorded in front of a live audience. With stories and verse and song to bring comfort and joy, from poet Jackie Kay, singer-songwriter Amelia Coburn, international storyteller Danyah Miller and doorstep poet Rowan McCabe who's been knocking on stranger's doors and offering to write them a poem especially for The Verb. So pull up a chair and make yourself comfortable. Are you ready? Then we'll begin... Producer: Cecile Wright

What does a good life mean in 2023 and beyond? The Verb returns to the future for a look at stories for a fast-changing planet. This week we hear from some of the most talented storytellers in the world - who have looked at (both literally and metaphorically) the retreat of the glaciers and asked themselves “what can I do now as a writer to help make a good future?'. Ian McMillan is ed by Ben Rawlence, author of 'The Treeline: the last forest and the future of life on earth' (and co-founder of Black Mountains College), by Icelandic author Andri Snaer Magnason ('On Time and Water'), and by Lisa Merrick-Lawless co-founder of 'Purpose Disrupters' (who has 20 years experience in the language of advertising and communications). Ian also hears from John Marshall in America, who co-founded 'Potential Energy' - a coalition of creative, analytic and media agencies who want to shift the conversation on climate change. John reveals his international research into the language that really makes us think. We also share the best wild poems from our call-out in the summer, and road-test an 'eco' sting for radio broadcasts (inspired by 'EcoAudio' - a new certification for greener, sustainable audio productions that is now available for BBC programme-makers). Producer: Faith Lawrence